German Impressionist Landscape
Liebermann – Corinth – Slevogt
vyprodáno |
Internetová cena:
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896,00 Kč
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Běžná cena:
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1 120,00 Kč |
Zboží není skladem
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Max Liebermann, Lovis Corinth und Max Slevogt, three early 20th-century
artists who did not view themselves primarily as landscape painters. On
the contrary, they saw themselves as figurative painters who only
engaged sporadically in landscape painting.
They did so without being commissioned and free of constraints of all
kinds, hence with particular dedication. Painted on trips or where they
were staying on holiday, their landscapes were not practised to the
point of becoming rigidly routine tasks. Consequently, their landscapes
represent a high point of their respective painterly ?uvres.
Liebermann’s paintings of his garden on Wannsee,
Corinth’s Walchensee landscapes and Slevogt’s Palatinate landscapes
painted at Godramstein and Neukastel are world-famous. However, exotic
or less well known works such as the paintings Slevogt did in Egypt and
Corinth’s early landscapes from his Munich days are included in this
publication.
The catalogue provides a concentrated focus on the landscape paintings
of the three great German Impressionists. Accompanying essays elucidate
their switch to landscape painting, addressing both their inspiring
relationship with French Impressionism and their interest in the
Barbizon School as well as the modern Dutch landscape tradition. In
addition, an overview of German Impressionism and the development of
German landscape painting in the 19th century introduce the subject
matter in depth.
“Landscape shows what a painter is worth as an artist. Landscape
painting is the most dificult art.”
Max Lieberman
Other authors:
Bernhard Geil | Nicole Hartje Grave | Stephan Koja | AngelikaWesenberg
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Max Liebermann,
Garden Bench beneath the Chestnut Tree in the Wannsee Garden, 1925,
Museum Würth, Künzelsau |
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Max Slevogt,
Spring in the Palatinate, 1910, Wilhelm-Hack-Museum, Ludwigshafen |
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Lovis Corinth,
Walchensee with Larch Tree, 1921, Staatliche Museen zu Berlin,
Nationalgalerie |
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