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552,00 Kč 
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690,00 Kč |
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Few works have impacted the world of photography like Nan Goldin’s The Ballad of Sexual Dependency. Published by Aperture in 1986, The Ballad retains an uncommon power with its unflinching portrayal of friends, lovers, and relationships—a dramatic opera of joy and despair. This summer, Aperture magazine returns to an iconic work with “Ballads,” a special issue featuring an exclusive interview with Goldin as well as a section curated by the artist dedicated to her influences.
FRONT
Agenda: Exhibitions to See
Marion Palfi, Trevor Paglen, Photo / Brut, Working Together
Redux
Brian Wallis on Leonard Freed and the New York police
Day Jobs
Nicole Acheampong on Ming Smith as a beauty model
Viewfinder
Eva Díaz on women’s hands and the labor of editing
BACK
Object Lessons
David Wojnarowicz’s One Day This Kid, 1990
WORDS
The Ballad of Nan Goldin
The legendary photographer reflects on art, addiction, and activism
A Conversation with Darryl Pinckney
The Original Ballad
The making of a groundbreaking photobook
Marvin Heiferman in Conversation with Elle Pérez
Speeding Along the Edge
Jack Pierson, Mark Morrisroe, and the search for a queer utopia
by Evan Moffitt
The Evocative Years
Libuše Jarcovjáková’s vivid chronicle of Prague’s subcultures
by Alistair O’Neill
A Fold in Time
David Wojnarowicz and the radical archives of the Fales Library
by Olivia Laing
Out of Sheer Rage
How can art and film become forms of protest?
by Lauren O’Neill-Butler
A World Without Men
The Japanese photographers who dared to be “girly”
by Moeko Fujii
Film Studies
Nan Goldin’s imprint on cinema and television
by Rebecca Bengal
Surface Tension
In fashion images, a quest for the truth
by Lou Stoppard
PICTURES
Feast for My Eyes
A pantheon of influences by Nan Goldin
Pablo Bartholomew
Introduction by Skye Arundhati Thomas
Sunny Suits
Introduction by Jesse Dorris
Daragh Soden
Introduction by Colin Barrett
Liz Johnson Artur
Introduction by Kareem Reid
Abdul Kircher
Introduction by Lovia Gyarkye
Clifford Prince King
Introduction by Marjon Carlos
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Introduction by Xuan Juliana Wang
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